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Ranique · Guest

All of these campaigns died without significant sales. That's not exactly a rousing endorsement of "they worked".
He may not get "high" in the sense your thinking of but it brings him out of the hell he would otherwise have to deal with due to his disease.

Tarpey · Guest

“Cabin, WTF. They should have chosen a different division at Yamaha. Yamaha has made passenger car engines for Toyota, and they have made better sounding engines.

MACDONALD · Guest

That was the week the Earth Stood Still..
@DeathToaster, there are two specific reasons.1) A lot of video cameras have small sensors with permanently attached zoom lenses, both of which make it hard to replicate cinematic depth of field. Digital SLRs have larger sensors and access to interchangeable lenses, both of which provide that richer look and far more flexibility that provides a visual vocabulary that you can usually only attain by spending tens of thousands of dollars more for a high-end, big-sensor, interchangeable-lens video or film movie camera.2) A lot of video cameras suck pretty bad in low light. Digital SLR sensors have advanced pretty rapidly in this area, allowing reasonably clean images at ISO 1600 and up. If you watch the DSLR demo videos referenced in the article, what is not apparent to the layman is how *little* supplemental light sources were used. A normal video production would require acquiring and setting up an arsenal of supplemental lights to get an image to show up on the camera properly. These new highly sensitive DSLR sensors have allowed the demo productions to be shot in available light...at night! That might not mean much to you and me, but seriously, it makes the jaws of some pros drop to the floor. For a budget filmmaker, being nearly free of an array of lights and power sources greatly simplifies logistics...and budget.All the focus on DSLR video is on the image quality, low light capability, and the flexibility you get at the price point of the body. Those do amaze. But the ways in which a DSLR falls short for video are also very real. The question for a filmmaker is whether shoring up the weak points of shooting with a DSLR will be worth it given the goals of their specific production's requirements, or whether it would be better to shoot with the usual video equipment and not get the visual benefits of the DSLR. The last option is to spec for the best of all worlds but pay through the nose for it (i.e. a lot more than a DSLR body costs).!

KayLee · Guest

This is news worthy?
The Queen Mum is dead, dumbass.

Cheedah · Guest